Saturday, December 24, 2005

I do this every year - Spend too much time thinking what albums qualify to make it to in my list of favorites for the year, but when it comes down to actually penning down reasons why, I quickly scribble down in one sitting everything, typically leaving out numerous details that I regret later on, leaving me to quietly re-edit what I had originally written, hoping that readers hadn't checked out my list just quite yet. Well, I'm doing it again, aren't I. Here, then, is a list of my favorite ten albums of the year, with the stipulation that they had to have been released this year. Of course, that leaves a lot leftover, so that gets a list in itself.

What constitutes being placed into this prestigious (not really) list? Albums that challenge me. The common theme to most of the music on this list consists of the fact that they were not immediately pleasing to the ear. As a result, most of them stretched my ear, so to speak, and required an effort from my part to realize what it was they were trying to point out. Here is last year's list, just for comparison:

U2 - How to Dismantle an Atomic Bomb
The Finn Brothers - Everyone is Here
The Shore - Self-titled
Scissor Sisters - Self-titled
HEM - Eveningland
Keane - Hopes & Fears
Norah Jones - Feels like Home
Vienna Teng - Warm Strangers
Mindy Smith - One Moment More
Beastie Boys - To the 5 Boroughs

Here we go, and there is a sample track download for you to take a listen to: (oh and there is no particular order, I couldn't possibly be able to justifiably rate albums on a list)


M.I.A. - Arular (Amazon - click to download)

What does she sound like? So difficult to point out. She definitely defined what I stated above. I scoffed and laughed the first time hearing this album, but her mix of world, rap, hip-hop, and dance is infectious as her politically charged lyrics is powerful.

Glen Phillips - Winter Pays For Summer (Duck and Cover)

Glen’s first (and sadly, last) album for Lost Highway Records mixes his always rich and honest lyrics with the best of the type of melodies reminiscent of his old band, Toad. His "welcome-to-reality" take on love 'True', politics 'gather', and just life in general 'duck and cover' and 'don’t need anything' are truly appreciated.


Nickel Creek - Why Should the Fire Die? (Helena)

In a sense, this is the Creekster's first true album that offers a sense of who and where they are musically. The contrasting sounds from the waltsy 'Jealous of the Moon' to the bluegrass infused 'stumptown' to the rocking 'Helena', and the three-part harmonies of 'why should the fire die', all constitute towards the idea that they just cannot be pigeon-holed into a genre. Lyrically, they've antied up and have closed the gap to their musical virtuosity.

The New Pornographers - Twin Cinemas (Jackie, Dressed in Cobras)

This has to be my musical find of the year! Originally I'd been a huge fan of Neko Case, who's only one in this "supergroup" full of musicians from Canada. How to explain them? It's difficult to find any other single group that creates a similar sound, but their unbelievably catchy power-pop sound is one that many bands should look to when defining what constitutes a great pop song. Check it out. You'll love it.

Coldplay - X&Y (Proof *not on the album, but the speed of sound single; great song)

Another album that took awhile to digest, but each listen brought clarity and revealed a much more sonically adventurous band opposed to the last two albums. Definitely worth the hype. Check out the hidden track, "'til kingdom come", originally written for Johnny Cash, but done beautifully by the band.

Sigur Ros - Takk (Gong)

Each song on this record is an adventure! This time singing in Icelandic, opposed to their Hopelandic(sp?) made up language, the band has created a much more richly melodic (and uplifiting!) album that pulls the tear strings from within you. Beautiful, powerful, doesn't need interpretation. Universal.



Ryan Adams - 2005's albums (cold roses / Jacksonville nights / 29)
How do you keep love alive? / The Hardest Part / Night Birds

Somebody take this man on a vacation! Three albums (one of which is a 2-cd set) in nine-ish months, totally unheard of! Each album is distinct from each other, with Jacksonville providing the clearest resemblance to a genre (country-folk). Standout tracks from each album: cold roses – Easy Plateau/How do you keep love alive?; Jacksonville nights - The Hardest Part; 29 - Nightbirds.



Aimee Mann - The Forgotten Arm (Going Through The Motions)

I really applaud Aimee's attempt at a concept album here - She tells the written story of a boxer in narrative format and breaks it up into chapters/songs, set to typically amazing Aimee driven songs. Within her digipak packaging, it becomes an experience for the participant through music, illustration, and written form. Did I mention the songs were great, too? Check out "Going through the motions".

Kanye West - Late Registration (Diamonds From Sierra Leone)

Yes, yes, we all know he’ll be famous for that line attacking Bush. But his music is just as good and deserving of the recognition. Though geared towards hip-hop, it has the ability to transcend genres and I'll tip my cap at Jon Brion for co-producing this incredibly appealing album that I hope will give Brion the credit he deserves for his bountiful amount of work.

LCD Soundsystem - Self Titled (Daft Punk is Playing at My House)

It's being complimented as this decade's "Substance" album by New Order, which is a tough billing to live up to, quite honestly, but nevertheless, these techno-infused tracks carry with them more substance (no pun intended) than that is typical. It’s got a sense of punk, rock, techno, funk, disco, etc. Most importantly, it's fun. And sometimes you just need some of that (albeit with some meat to it) after a long period of introspective music listening.

Shoulda/Coulda/Woulda

Short list of albums that didn't make the list but very well should have. Maybe they were released months before 2005 or just couldn't crack a top ten.

Sean Watkins - Blinders On
The Arcade Fire - Funeral (fall in love with their live shows!)
Ray LaMontagne - Trouble (Possibly this century's Van Morrison?)
Madeleine Peyroux - Careless Love (could I possibly love her more than Norah?)
Blue Merle - Burning in the Sun (Vocals a la Coldplay, but with a jam bite to them. They've now got fiddler extraordinaire, Luke Bulla in the band!!!)
Wilco - Kicking Television (live double-album, this side of the globe's Radiohead, sonically)
Beck - Guero
Death Cab for Cutie - Plans
Wicker Park Soundtrack (Ahhh, not sure about the movie, but could just be a better soundtrack than Garden State!)

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